creativity shared w/ world versus creativity shared w/ world to localize social acceptance (fame) (or money, power) that diminishes when otherwise is infinite, BOUNDless creativity so we'd do better to help all to realize this boundless creativity instead of trying to appropriate the benefits of something that isn't to be yours.

might be worth something someday

creative part-whole world -- you know when in garden state when she says sometimes i move my arms (this way) to do something that no ones ever done before... she's being creative during her engagement with the world. the only difference is that she doesn't need to move her arms in some random way to be creative. there is infinite possibility in every moment because no moment and no moment's now-within-lying-manifestation(s) can ever be EXACTLY the same.

- this i realize and now i wait (for/ ) (this is the truly intimate artist-art work relationship)
- i don't really claim my art.
- initially it seems to lose appeal for the artist involved to not be able to own some-to-be-owned sort of intimacy with the art s/he creates. but the actual state of things is something equally at least intimate to the artist with her relationship with the art work. the relationship, unified in the familiarization of the part of the part-whole with the boundless self (otherwise typically thought of as part thus removable and in so being, dissectible) as the whole of the part-whole allows for a few different branches to break off with. (the recycling self showing of both the artist-in/known--to--self(actually as the world)--in--the--world-as-the-world and the world creative as it takes and recreates (thus destroying and creating with the same stroke. to move beyond would to acknowledge infinite possibility instead) with the interplay of the waves of change of each expression points creativity (in itself self-know-as(-/ )itself-know-as-field interaction thus creativity-in/as-the-moment and thus self-showing expression of creative world (like as "whole Earth") diary-ing(to be thought of as the new[new is known-to-self-as-self lasting-new for now but neither never/(nor)ever not/ lasting newness] intimate and as accurate to objective true[intended to point out the self-seen-and-so-self-understood/known as the inevidible gap to crosse before the absurd indeterministic suicide of the preluded as self-known-as-self-familiarized with self] self-diary as could have ever been[because who can know of ever been when there is only the moment's boundedness to itself as the inevitable-self-as-the-whole-in-the-as-the-self-as-the-moment and all else kin to it] written-as/in-the-world-thus-self-known))<; creativity is however possibly never more or less creative than by way of speed of creativity relative to duration of time or by the amount, that is almost material(not actually material yet creativity thus amountable as if to be piled and thus piled up as material, though all the while to be realized as material).> this too increases the imperative need for the observation (and NOT dissection understanding) as/self-understood of the self-understood (and also (of the)) as and engaged in the whole as sincere interchange of the understood creativity of the self-known-whole-as-self-known-as-the-whole) 1, where the present state of understanding of most artist's artist-art work relationship understanding only allows the self showing on the canvass to be the real (presently sincere but not necessarily static defined objective permanent truth about the only value of self showing. presently this explanation itself is a self showing of both the world and the artist in the form of her art works or you could think of it as the creative world expressing itself through an imperative, absolutely necessary part as and understood as whole in understood part-whole relationship). in the realization of the interplay of field creativity, of simultaneous self-showing-of/as-the-world and the heideggerian be-ing and knowing it thus enowned by it are "carried away.
- as you familiarize yourself with the new(actual) part whole relationship of the creative world, you are not losing your identity, you're realizing your true(i'm wary of this becoming some sort of objective truth in someone's mind). the unity of the self in the world is not one of dissection and resulting understanding of the part of the part-whole and the surface that has been cut open thus left exposed in distancing from observability of the world without knowing the whole self, the unity from which the part of the part-whole relationship has been removed. the truth is that one can never realize the concluded conclusion by dissecting for understanding of individual parts. one must know the whole to know the fully conclude-ing (not to be finished[concluded]) conclusion.

- to the really unified dual characters, the next to highest state of creative potentiality (only so because of it's position as being determined to prelude the absurd stillness (after and) by the indeterminate explosion of absurd creative frustration as the bondage of the boundedness of the self-to-the-self-as-the-self-as-the-whole composed of in part and inseparably to self-as-self-realized-as-the-whole including inevitable boundedness-to-self-as-moment) takes place in the self-as-self-realized as the self-known-as-creatively full [that is to know thy self as here (next to highest state of creativity) but not quite exactly] which is to know self as creatively full[because self-observed-in-experience-of-self-as-whole-in-wholeness-known-to-self-knowing-via-familiarization-with-self-as-world and not through dissection is the most creative art(creativity[i don't know how to define this word with the present context in mind]) of all but what is not quite the inevitable but not yet so indeterminate explosion of utmost (highest) creativity. here(in post-self-knowing-self-as-self-known-as-the-world thus the suicide of absurd indeterminacy.), self originates (as the in-abiding moment and cyclical process of self-known-as-whole thus bounded to self-as-moment-and-cyclical process) as ridiculous absurdity of self-known-where-which-indetermancy-self-did-outrageous-explosion. the explosion simply necessarily preluded by self-as-the-inabiding-cyclical process and the only question that can be is what ]


- the highest state of creativity in creative fullness is the self-known-as-creatively full

- don't hyphenate "the-self" in the above writings